• This list is intended to be used with my Lucretia in Art Project
• The images are organized chronologically; whenever possible images are linked to their museum website (as opposed to an external site) for both link reliability and the possibility of explanatory or background information
• For the most part, only links with images are included; there are many other images of Lucretia in museums (e.g., the National Gallery in Washington, DC, has some ten artworks that are not available for on-line viewing; the Cleveland Art Museum has some as well). I included, however, pieces for viewing where Lucretia herself is not visible
• Titles of the works have been intentionally omitted, except where necessary for identification.

In the representations below, composition is roughly divided into two groups: the psychological, which tends to focus on the lone figure of Lucretia, and the narrative, which tends to present an image of Lucretia within the story. The narrative group can be subdivided into continuous narratives and synoptic narratives: the former imitate a storyboard rendition of the story, following major figures through various scenes, a characteristic of Medieval art; the latter choose one moment of the story to focus on exclusively, a Renaissance preference which finally replaces the continuous narrative of Medieval art.