|  Bronze portrait head, Emporiae (Spain) 1st century
			 CE
 | Sophoni(s)ba, daughter of the celebrated
				Carthaginian general Hasdrubal
				Son of Gesco, became Queen of
				Numidia twice over through 
				marriage to two Numidian kings. She enters Roman history briefly
				toward the end of the 2nd Punic War (218-201 BCE), but her dramatic betrothals,
				marriages and death in 203 BCE inspired historians from early
				2nd century BCE to late 2nd century CE to include her as a significant
				non-combatant in their narratives (including Livy, AUC 30.12.11-19 and
				15.6-9, five are extant: Polybius,
				The Histories 14.7.6;
				Diodorus Siculus,
				Bibliotheca Historica 27.7;
				Dio Cassius,
				Roman History 17.57.51 and
				his epitomizer Zonaras 17.9.11, 12, 13; Appian,
				Roman History: Punic Wars
				8.27-28). Polybius, the earliest source, notes merely that the "female
				child, daughter of Hasdrubal" (conceivably in her teens!) persuaded her
				husband, the West Numidian King
				Syphax, an ally of Rome, to support
				the Carthaginians against the Romans. In 206 BCE she was betrothed by her
				father to Syphax, having first been promised (Diodorus Siculus says "married")
				to the East Numidian King
				Masinissa, who switched his
				alliance at this time from Carthage to Rome. While sources differ concerning their motivations, historians agree that Sophoni(s)ba was the pivotal
				factor in the decisions made by these three men. Dio Cassius follows
				Livy in proclaiming Sophoni(s)ba's beauty and youthful bloom, adding that she
				was educated in literature and music. He observes: "she was clever,
				ingratiating, and altogether so charming that the mere sight of her or even the
				sound of her voice sufficed to vanquish everyone, even the most indifferent"
				(17.57.51). In the speech below Livy captures her ability to reason and
				fascinate as she greets the victorious Masinissa outside her palace at
				Cirta after
				Syphax's defeat. She convinces Masinissa to promise not to hand her over to the
				Romans, a promise which he tries to secure by making her his wife. Questions
				about her nature and personal agency remain: was she forced into her first
				marriage, her father's pawn like many daughters in strong patriarchal cultures? was she passionately attached to her
				country, as Syphax tells Scipio? was she in love with Masinissa or
				did she intend to use him to save Carthage? did Masinissa force her to drink
				poison or did she choose death, heroically eluding the
				Romans she hated and Scipio's
				triumph? Later art, literature, and
				music made her the
				heroine of romance and tragedy. |