 Bronze portrait head, Emporiae (Spain) 1st century
CE |
Sophoni(s)ba, daughter of the celebrated
Carthaginian general Hasdrubal
Son of Gisco, became Queen of
Numidia twice over through
marriage to two Numidian kings. She enters Roman history briefly
toward the end of the 2nd Punic War (218-201 BCE), but her dramatic betrothals,
marriages and death in 203 BCE inspired historians from early
2nd century BCE to late 2nd century CE to include her as a significant
non-combatant in their narratives (including Livy, AUC 30.12.11-19 and
15.6-9, five are extant: Polybius,
The Histories 14.7.6;
Diodorus Siculus,
Bibliotheca Historica 27.7;
Dio Cassius,
Roman History 17.57.51 and
his epitomizer Zonaras 17.9.11, 12, 13; Appian,
Roman History: Punic Wars
8.27-28). Polybius, the earliest source, notes merely that the "female
child, daughter of Hasdrubal" (conceivably in her teens!) persuaded her
husband, the West Numidian King
Syphax, an ally of Rome, to support
the Carthaginians against the Romans. In 206 BCE she was betrothed by her
father to Syphax, having first been promised (Diodorus Siculus says "married")
to the East Numidian King
Masinissa, who switched his
alliance at this time from Carthage to Rome. While sources differ concerning their motivations, historians agree that Sophoni(s)ba was the pivotal
factor in the decisions made by these three men. Dio Cassius follows
Livy in proclaiming Sophoni(s)ba's beauty and youthful bloom, adding that she
was educated in literature and music. He observes: "she was clever,
ingratiating, and altogether so charming that the mere sight of her or even the
sound of her voice sufficed to vanquish everyone, even the most indifferent"
(17.57.51). In the speech below Livy captures her ability to reason and
fascinate as she greets the victorious Masinissa outside her palace at
Cirta after
Syphax's defeat. She convinces Masinissa to promise not to hand her over to the
Romans, a promise which he tries to secure by making her his wife. Questions
about her nature and personal agency remain: was she forced into her first
marriage, her father's pawn like many daughters in strong patriarchal cultures? was she passionately attached to her
country, as Syphax tells Scipio? was she in love with Masinissa or
did she intend to use him to save Carthage? did Masinissa force her to drink
poison or did she choose death, heroically eluding the
Romans she hated and Scipio's
triumph? Later art, literature, and
music made her the
heroine of romance and tragedy.
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